The treatment of the wild flowers in the meadow reminds me somewhat of the astonishing effect achieved in a night shot by Roberto Rossellini in this sequence from his "Francesco, Giullare di Dio"

http://www.youtube.com/watch?v=0gTu_wA4uok&feature=related

It was only in this film, in my opinion - and particularly in this astonishing sequence of the possibly merely hallucinated encounter with a leper - that it became indisputably evident that Rossellini really had lost nothing, but on the contrary gained very much, in turning away from the overtly political concerns of the "neo-realist" films that made him famous toward the religious concerns that dominated his work of the 1950's.

I would point out that the leper, who is certainly also Jesus Christ, could very plausibly be argued to be Cracky-Chan as well - were it not for the fact that the only reason I'm making this post is to emphasize how much more classy and "recherché" MY cultural references and allusions are than any that YOU are likely to come up with, you shower of quarter-educated, child-molesting degenerates.